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"The Prince of
Darkness is a gentleman."
~ William Shakespeare ~
King Lear, Act 3, Scene 4.
Abandoned
Nineveh, Northern Iraq
"Get out!” The Iraqi driver’s thin, high-pitched voice filled the car.
Sand and dust spewed up as the vehicle skidded to a stop.
Jarred awake, Cotten Stone sat
upright. "What?" She tried to focus in the gathering twilight.
“Out! I drive no American."
The radio blared the
frantic-paced voice of an Iraqi announcer.
"What is it?" she asked. "What's
wrong?"
The driver threw open his door
and ran to the rear of the car.
Cotten tugged the rusty door
handle until it finally gave with a squeak. "Hey, what are you doing?"
she called, jumping out.
He opened the trunk and tossed
her two bags onto the shoulder of the highway.
"You can’t leave me here,” she
said, coming around to the back of the car. “This is the middle of the
damn desert.”
The driver cocked his head
toward the voice on the radio.
She picked up the duffle bag
that held her videotapes and chucked it back into the trunk. "Listen,
I gave you all the cash I have. I don’t have any more.” She turned her
pocket inside out. It was just a little lie. She had squirreled away
close to two hundred dollars and stuffed it inside an empty film
container. Her emergency stash. “Do you understand? See, no more
money. I paid you to take me to the border.”
The driver jabbed her shoulder
with a stiff forefinger. "End of ride for American.” He yanked the bag
out again and slammed it into her chest, sending her stumbling
backward. Then he was around the car and in the driver's seat,
grinding the gears and spinning the old Fiat around.
“I don’t believe this,” she
said. Cotten dropped the bag on the ground beside her other one and
threaded a loose strand of tea-colored hair behind her ear, watching
the taillights fade.
The soft whisper of the desert
wind carried the first chill of the evening as the January sky turned
from rose to indigo. Cotten pulled the hooded parka from her carryall
and slipped it on, feeling the cold already creeping through her.
She jogged in place, hands
stuffed deep in her pockets. Darkness, thick as Iraqi crude, poured
over the desert. Someone was bound to come along—had to come along,
she thought.
Ten minutes passed with no sign
of another vehicle. Finally, she grabbed the handles of her two
carryalls and started walking. Gravel and sand crunched like glass
chips under her field boots. She glanced behind, wishing for the glow
of headlights, but there was only dark, barren desert.
"I should have known better than
to trust that guy." Her voice cracked from the dryness. Whatever he’d
heard on the radio must have spooked the shit out of him. Cotten knew
U.S. forces were gearing up for an invasion. The rumors had been
flying around the foreign press corp. for weeks as the war drums grew
louder in Washington and London. It was no secret that there were
already small insertion teams of American and British forces in the
country. The invasion might still be months away, but it was hard to
hide the buildup of forces in the Arab countries bordering Iraq to the
south. The local Arab news buzzed with sightings of Special Forces and
Army Rangers appearing and disappearing in the middle of the night.
There were even strategic flyovers of fighters, Predator drones, and
high altitude recon aircraft testing the vulnerabilities of the Iraqi
missile and radar installations.
Cotten hoisted the strap higher
on her shoulder. “It’s your own fault,” she said. “You’re so damn
headstrong.”
A few weeks ago she had stood in
the office of SNN’s News Director, Ted Casselman, and begged for the
assignment to cover the effects of economic sanctions on the women and
children of Iraq. It was an important story, she thought, and she
didn’t care how unstable the region was. Americans needed to see what
sanctions did to innocents. And, she told Casselman, if the U.S. had
plans to attack Iraq, she wanted to be there, right smack in the
center of the action.
Cotten didn’t mention that she
also needed to put some distance between her and Thornton Graham. She
didn’t tell Casselman because she knew she would probably fall apart
if she had to explain. The emotional wound was still too raw. Her
request to do the story made perfect sense as it was—an eager, hungry
reporter—and she wanted an assignment that would make world
headlines.
The Satellite News Network
didn’t send rookies on assignments in such volatile locations,
Casselman told her repeatedly. Yes, he conceded, she had talent and
promise. Yes, he felt she could manage the pressure. And yes, he
agreed that a Middle East assignment right now was a perfect
opportunity to launch a successful career. However, not only was she a
rookie, she was a woman, and a woman in Iraq in the current conditions
was out of the question. Once the war started, the only journalists
would be those chosen in advance by the military and embedded with the
troops. And they would only be male. The rules were set, and the
answer was no.
She became incensed and began a
tirade about the unfairness of it all.
Casselman cut her off with
another firm, "No."
After she calmed down, Cotten
finally got him to agree to let her tag along with a group of
reporters as far as the Turkish border. From there she could cover the
plight of any refugees fleeing north once the conflict began.
He was furious when he learned she went on to Baghdad.
Then his call came this morning
ordering her to leave. “Things are going to get dicey. Get your sweet
ass out of there any way you can. And I want to see you as soon as you
get back. Clear?”
She tried to reason with him and
buy more time, but he hung up before she could make her case.
When she got home he was going
to I-told-you-so, I-should-fire-you her to death. That was if she got
home. Cotten shivered. She was stranded and freezing in the middle of
the Iraqi desert.
* * *
Charles Sinclair stared out his
office window at the sprawling campus surrounding the BioGentec
laboratories near the University of New Orleans. The blue of Lake
Pontchartrain lay beyond. He watched the small army of groundskeepers
with their John Deere mowers and golf cart utility vehicles moving
across the lawn and among the gardens—manicured and in perfect order.
He liked perfect order.
The phone on his desk chirped,
and he jumped, spilling a few drops of the chicory coffee onto the
Persian rug.
“Yes?”
“Dr. Sinclair, you have an
international call on line eight," his secretary said.
Sinclair punched the blinking
button. He wouldn't take this call on the speakerphone. “This is
Sinclair.” The hiss of the connection annoyed him as he pressed the
receiver firmly to his ear.
“We uncovered the entrance to
the crypt two days ago," the man on the other end said. "Late this
afternoon, it was opened.”
Sinclair’s knuckles whitened as
he clutched the phone. “Ahmed, I hope you have good news.” He paced.
“I do. Everything is just as
Archer predicted.”
“What did you find?”
“Many artifacts with the bones,”
Ahmed continued. “Armor, religious trinkets, some scrolls, and a box.”
Adrenaline streaked through
Sinclair's body making his fingertips tingle. “What does the box look
like?”
“Black, no markings, about
fifteen centimeters square.”
Perspiration softened the starch
in the white collar of Sinclair’s Armani shirt. Static filled the
pause before he spoke again. “And its contents?”
“I do not know."
“What do you mean? You were
there, weren’t you?”
“Archer did not open it. He and
the others are packing to leave as we speak. We must abandon the
site—the area is becoming too dangerous. Everyone is nervous. There is
no time to examine—”
“No!” Sinclair pinched the
bridge of his nose. “You go back immediately and get the box. Have
Archer show you how to open it. Call me as soon as you confirm what’s
inside and you have it securely in your possession. Do you
understand?”
“Yes.” Ahmed’s voice sank into
the static.
“Ahmed,” he said, keeping his
voice low and controlled, “it is imperative that you complete your
assignment. I cannot stress that enough.”
“I understand.”
Sinclair hung up the phone and
stared at the receiver. The Arab could not even begin to understand.
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GRAIL CONSPIRACY at
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Copyright
©
2005-2008 Lynn Sholes
& Joe Moore and
Midnight Ink,
an imprint of
Llewellyn
Worldwide, Ltd. |